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As MTV Became A Commercial Success, It Made A Massive Number Of Stars Whose Careers Would Be Completely Different Without The Exposure.
Wire channel MTV turns 30 today and I suspect it's unlikely that any article noting the event will be in a position to withstand the urge to include some rant about the lack of music videos on the network.
In principle, I understand the beefs. I watched the network from its earliest days and there was something magical about discovering some artist or song thanks to the video. As MTV turned into a commercial success, it created a huge number of stars whose careers would be entirely different without the exposure. Sure, performers such as Paula Abdul owe their careers to MTV, but it is hard to think what the careers of musicians like Michael Jackson would be without the video exposure.
But from the earliest years of the network, MTV pursued a tactic of making original, non-musical programming. And after they made that decision, it was inescapable that the successfulness of that programming would push the music off the key MTV Network.
There are good business reasons for opting not to play music videos on a channel that was initially branded as a music network. No wire channel wants to be in a scenario where their success is dependent on access to content being created by third parties. In much the same way that HBO and Showtime began manufacturing original programming as a technique to offset the assertive dealmaking of the film studios, MTV moved towards original programming so they would not be contingent on the whims of the music labels.
I suspect things should have been slightly different if MTV had been owned by a media company that also owned a music label. But without assured access to music videos, MTV had little choice than to move towards original programming.
Granted, MTV did not always have to pick the programming mix that it did. But because it's owned by Viacom, which approaches its multiple cable channels the way Clear Channel programs its radio stations, programming decisions are often as much about playing to the network's target demo as anything more.
That pressure from the sales side is also why you see things like Viacom-owned flicks pop up in primetime slots. Their cost is close to free, and its simple for a sales staff to sell a block of movies airing across all the Viacom Networks.
At the end of the day, MTV is a business. And it's difficult to show with the grounds that whether it airs music videos, it's been an exceptionally successful network. So while I ache for the videos (and the VJs), I'm ten years past making snide remarks about the lack of music on MTV.
But as MTV turns 30, I do fret about the corrosive effect its programming has on kids.
Fretting about such things probably seems old fashioned to most audiences (and TELEVISION critics) at this juncture. MTV obviously has got the right to air what it wants, how it wants. The indisputable fact that many of its shows are successful illustrates there is an audience for them.
But because rumpus sells, MTV has created this vision of American kids that often highlights the nastiest of what we can be. MTV isn't airing Teen Mom because they hope to persuade teen viewers not to get pregnant. Actually the essential message of the show is "hey, it'll be okay." Seeing girls who have appeared on Teen Mom splashed across magazine covers at the local supermarket is morally wrong on so many levels I could write a book about it and still just scratch the surface. The undeniable fact that versions of jersey Shore air around the world makes me more sorrowful than pleased with the network's programming ability.
What fears me as MTV turns 30 is that for many American children, Viacom has as much influence on their lives as college or chums. From Nick Jr's preschool programming through Nick's animated shows through Teen Nick and MTV, Viacom rules the pop culture landscape of America's youth.
I won't claim any person is evil. The majority of the programming decisions have more to do with sales opportunities and audience share than cultural impact. But at age 30, MTV should be thinking about such things, and it appears clear to anyone that watches the network the propriety of what they air is barely a concern,writes tagza.com.
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